MusicMaster Blog

Por Jerry Butler

Consigo llamadas a partir del tiempo a tiempo de programadores que dicen que su artista, título o separación de compositor no trabajan correctamente. Las signaturas aumentan en esta cuestión en las semanas conduciendo hasta la Navidad con la separación de título. Tenga presente la mirada de reglas de separación a sus palabras clave de artista, palabra clave de título y palabras clave de compositor. Después de analizar los datos, a menudo encontramos que algunas entradas son deletreadas sólo un poco diferentes. En orden para que la separación de la palabra clave funcione correctamente, los deletreos en la palabra clave específica tienen que ser exactamente el mismo. ¿Cómo puede usted comprobarlo rápidamente? Muchos programadores como yo iría a través de la biblioteca, ordenar y comparar los artistas o títulos de cada tarjeta de la canción.

Aquí es una manera más rápida, más fácil, más a fondo para corregir sus palabras clave hacen esos cambios en su ventana de mantenimiento de palabras clave.

Haga clic en Conjunto de datos, Biblioteca y palabras clave. Utilice el menú desplegable para seleccionar la palabra clave que es necesario comprobar. A efectos de demostración, vamos a comprobar la palabra clave del título.

He destacado entradas de \”O Holy Night\” y \”Oh Holy Night\”. Las reglas de separación de título funcione correctamente, estos necesitan ser exactamente lo mismo. En lugar de cambiar la tarjeta de cada canción, puedes hacer el cambio para todas las canciones aquí. Voy a cambiar “Oh Holy Night” a “O Holy Night”. Para hacer esto, simplemente haga clic en la línea y el cambio de tipo. Cuando presione [enter], Recibo una solicitud que me deja saber la palabra clave ya existe y me pregunta que si me gustaría combinar los dos. Haga clic en Sí y cualquier canción con ‘Oh Holy Night’ se actualizarán para ‘O Holy Night’ y la regla separará los títulos correctamente.

Compruebe sus palabras clave hoy y asegúrese que el artista de su estación, el título y el compositor o cualquier otra separación de palabra clave dirigen el modo al que usted lo quiere.

By Jesus Rodriguez

Por Jesus Rodriguez

En este blog vamos a responder el misterio detrás de la bandera adicional en su Panel de Consulta de Resultados en MusicMaster 6.0! Supongo que sólo sería apropiado para mí presentar a los dos. El Sr. Bandera diga hola al usuario mejor de MusicMaster. Increíble usuario salude al Sr. Bandera Extra!

Así que ahora que nos conocemos todos déjenme decirles un poco acerca de mi amigo, el señor de la bandera adicional. Lo único es que solo le gusta salir a jugar cuando haya seleccionado el icono de triple indicador en el panel de resultados de la prueba. Él no es demasiado aficionado a la fiesta solo porque sólo tiene dos trajes de una bandera amarilla y una bandera roja. A menos que se seleccionan a sus amigos triples bandera que acaba permanecerá en la clandestinidad. Cuando salen a jugar puede asomar el Sr. Bandera Adicional y ver cuál es la violación que representa su equipo de bandera roja o amarilla. También puede hacer clic en Sr. Bandera Adicional y le llevará directamente a la regla que tiene la violación como un VIP.

A algunas personas les gusta tener todavía la lista entera de reglas en su pantalla de panel de resultados de prueba pero la desventaja a esto es que si usted tiene muchas reglas usted no puede ver lo que el fracaso es de un vistazo. Con la opción de bandera suplementaria usted puede ver fácilmente ahora y señalar lo que fallado. Este es grande si su árbol de regla es realmente extenso entonces usted puede ver rápidamente lo que la cuestión era con su árbol de regla.

Si usted fuera un usuario que sólo tiene que saber lo que los fracasos de regla son entonces el doble rasgo de bandera que hemos tenido durante años sería posiblemente lo mejor para usted. Sin embargo, si usted quiere saber donde el fracaso de regla ocurre dentro de la lista completa de sus reglas entonces la bandera triple que se pone con la opción para usar a Sr. Bandera Adicional sería la mejor solución para usted así usted ya no tiene que enrollar de arriba abajo la busca de la regla que estuvo rota.

By Marianne Burkett

I just experienced the pleasure of helping a client go through a process of format concept to completion. The new format sounds terrific and better than he expected. Good sounding radio doesn’t just happen. All the great music in the world played back to back won’t keep your audience locked in if it’s not scheduled correctly.

While discussing the importance of what I term as “Dynamic Flow”, I painted this picture for my client: ”You know how awesome and comfortable it is to sit at the seashore and listen to the ocean waves.” When you sit on the beach, the ebb and flow of the tide make it appealing to be still for long periods of time. You don’t really think about the sound, but you know you can sit there for a long time without being bored or stressed.

I want dynamic texture everywhere in my daily music logs. This is where the rubber meets the road for increasing TSL/Time Spent Listening. For instance, when a song writer composes a hit song, song dynamics is critical to that song’s success or failure. It’s a very rare instance that you’ll hear a song doesn’t have some kind of dynamics change somewhere in the middle of the track, at the bridge. If all songs were sonically the same tempo, energy and texture at the beginning, middle and the end, they’d be downright boring. It’s no different when you think in terms of a full quarter hour of time with what songs are playing on your station! Are they different texturally, in tempo and in style? If you’re listening to your station and it wears you out… you might have a dynamics issue. If you’re listening and you get bored, you might have a dynamics issue. When you mix it up, it becomes interesting to listen to. The station sounds focused and unique and your listeners stick around for longer periods of time.

So what can you do to ensure you’re not “fatiguing” the listener? Other than spending hours meticulously hand scheduling your music, you can accurately code your music for tempo, energy, mood, sound and gender. You can review your library analysis on each code to determine how many or how few your active music library contains and apply rules to “scatter” the codes through the quarter hour, half hour or full hour.

Put together strategically, your station has its own unique fingerprint of sound. Even if you are playing the same exact titles as your competition, your coding is subjective based on what YOU think it is, therefore your station can sound different and BETTER than the competition, depending on how you schedule the music.

If you’d like to know more about making your station stand out from the crowd, feel free to contact me directly or contact any of the Music Scheduling Consultants here at MusicMaster.

By Dave Tyler

We all work hard at getting our music to sound just right. You created your categories, plotted them in your grid and assigned the Rules to govern them. Although most of the time things are running great we all get unscheduled positions in our clocks. With the release of MusicMaster there is now a new feature you might just love to give you a better visual of what is happening at that position and in that hour.

This new tool works when you are in your Schedule Editor AND have the History Graph in your view and set to either “Daily” or “Weekly Spins”. See the example below for selecting the History Graph so you can see it.

In my example below you can see that I am editing the position where Don Williams is playing and everything is fine with that selection.

Now when I attempt to look in another category for a replacement song by using Direct Entry (also a new feature in 6.0) I choose my A category and the Brandy Clark song. This is obviously a poor choice being that the same song is scheduled just before this position; however look at all of the information available to you on this choice.

The Schedule Editor provides the red flags for Minimum Rest and Artist Keyword in my Results Bar on the bottom as well as my Test Results Toolbar on the right that displays a Gender issue as well. Look at the top in the History Graph. Now you can see that “Star” icon, which is the location of the proposed play plus there is a number (“2”) to show how many times this song is scheduled in this hour. Depending on your screen display, you now have several places where MusicMaster will alert you to the problem.

This is another way that MusicMaster gives you all of the tools you need to program and nurture the sound of your radio station(s)! As always if you ever have a question, do not hesitate to ask one of your Music Scheduling Consultants.

By Paul Ziino

Recently I wrote an article on how to set unique values for specific keywords. But did you know that MusicMaster can make those adjustments for you?

Go to Dataset/Library/Keywords. Then use the dropdown to select the desired keyword field. Within Keyword Maintenance click Tools and Separation Wizard.

Click Next and you’ll enter the Calculation Properties screen where you can adjust the properties used to calculate new separation and hour rotation values for your keywords.

When you run the separation wizard, MusicMaster goes through your active library and based on clock calls and the makeup of your library, determines the optimum turnover speed for each of your keywords. The first setting on the Calculation Properties screen asks what percent of that optimum number you want to use as your unique separation value for your keywords. Forty Percent is the default, and it’s a perfectly fine starting point. If MusicMaster determines 10 hours is the optimum, it will recommend a separation value of four hours.

The next setting is where you determine the threshold for just leaving the Auto setting from the Rule Tree. By default, that is 3:00, but you can set this to any number you want. Set it to 13:00, or 1d 17:00, or 18d 5:00, it’s your choice. The larger you set this, the more likely that each keyword will get a specific separation time.

Up next is how you want the separation times rounded. Default here is 5 minutes, but you can go to 10 or 1 or whatever you choose—most will leave this at 5. You can also check the box to “Avoid full-hour recommendations,” that way you don’t get artist separation values of 60 minutes or 120 minutes, etc.

“Don’t recommend values that are higher than the existing settings” basically says if we have a unique value in there and the wizard thinks it could be higher, ignore it. I generally leave this unchecked.

“Remove separation from keywords that do not require any” basically says if the artist is played so rarely or never that it requires no value to set it to 0:00. I leave this unchecked just in case I put that artist back in rotation that way it has some value assigned.

“Recommend basic Hour Rotation settings” asks MusicMaster to set Keyword Hour Rotations. If you’re not using that rule in the Rule Tree for this field, you can leave it unchecked.

So here’s how I have mine set up.

When you click “Next”, MusicMaster starts calculating and tells us how many keywords need adjustment.

There are a couple options here. I like to see all the recommended settings in separate columns, not just the recommended changes, so I select that first option. I also like to see what the Separation Wizard determined was the estimated or optimum turnover speed, so I leave that checked. Click Finish.

This is the list of all the keywords in the database. Those in blue show the recommended wizard settings. We can display only those with recommended adjustments by clicking the Filter icon. We can also sort this list by any column by clicking on the column header. I like to sort on the Recommend column.

So now at the top of the list we have the artist with the lowest recommended value and the bottom of the list shows the artist with the highest recommended value. If I want, I can accept all these recommendations and update the Separation value for all by clicking Change All. Or I can double-click any of those recommended values to change just that one artist.

Remember, these values only work if there’s an active Keyword Time Separation rule for this field in place in the Rule Tree that applies to the categories in question. That rule sets the Auto value. As I scroll through the list of recommended changes, it looks like I could use 5:20 as my Auto value and the majority of my artists would have no problem achieving that. Those with a recommended value less than 5:20 I can accept their unique recommendations.

A lot of programmers start with a low artist separation rule of maybe 1:10. With this exercise we can clearly see that only two artists in this data have a recommended value lower than that. But we can get so much more as a result of the Separation Wizard. So I say we go for it!

If you have questions about using the Keyword Separation Wizard or any other MusicMaster feature, make sure to reach out to your MusicMaster Scheduling Consultant for help.

By Drew Bennett

As a programmer, you may take a look at MusicMaster every day, all day. At some point, you get into a groove of scheduling logs, editing hours of music and exporting to the automation system. Our blog series is designed with our users in mind because one of the great things about them is that we introduce you to cool tips you can use in your arsenal of MusicMaster tricks. It’s fun to learn new tips and today, we’re going to cover a search tip in 5.0 and 6.0 that will turn your queries into super-charged search machines!

First, let’s look at a feature in MusicMaster that’s been around for quite some time: The Prompted Query. A Prompted Query is a search that you create and it lets you define your search value later, when you run the prompted query, instead of when you set up the query itself. It might look like this when you run a prompted query:

This search allows me to tell MusicMaster that when I run this search, I’ll look for something in the Artist and/or Title field but I won’t define those values until I run the query at a later time. That’s a great way to search the database but how do you set it up?

Open the query box by choose the black binocular icon in Library Maintenance or anywhere you see in the software. When you choose a field to search through, you’re typing something special in the query setup screen to create a Prompted Query. In the third dropdown menu on the right side of the query , type @PROMPT(Name of Field) where “Name of Field” is the field name or label you want to give to that searched field in the query. Save that query when you are done and now you can access it through your favorite query icon or by loading it in a query box.

In MusicMaster PRO v5.0 and below, a prompted query creates a separate search box for each field you define in the query like this:

Notice that Artist, Title and Album have their own search boxes to use. In MusicMaster PRO v6.0 and above, it’s possible to consolidate these fields to one search field. The way to do that is to give each @PROMPT the same label regardless of what field is searched through.

Now when this query is saved and launched, there is only one field to search through.

You can build upon this prompted query method by adding more fields that share the same label and search through even more fields in a prompted query. The Library Query functionality is very powerful in MusicMaster. Prompted Queries make it even easier to find what you need, when you need it.

It’s great to learn new tips and tricks in MusicMaster and when you use the software as much as you do, time saving tips can be real life savers! If you have any questions about this or any MusicMaster blog entry or how-to, reach out to your assigned Music Scheduling Consultant and happy scheduling!

By W.I.Z.A.R.D

Like most software, you probably use the stuff you need. How often do you step outside your comfort zone? Have you really looked into other features MusicMaster offers to see if any of them might help you speed up your work or make your station sound better? That’s what we thought. It’s okay. We understand. That’s why we made this list. Here are 10 ideas to look into.

Autoplatoon – Move your music in and out. Check out these previous articles that discuss the benefits.

Keyword Separation Wizard – Get as much distance between your keywords possible with this feature. This is one of the places you can have a lot of fun in the software just trying separation times. Why not see if you can get 9 days, 7 hours, 35 minutes of separation? The worst thing that will happen is that every single keyword will get a specific separation time. Check out Library, Keywords, Tools, Separation Wizard and watch for an article on this topic in a few weeks.

Check the Log – Are you sure you haven’t created problems when you edited the log? Check the Log reviews the log for whatever rules are of most interest to you (some or all, your choice). It’s the best way to make sure there are no issues when you finish editing. Visit Schedule, Check the Log.

Manual Assist Scheduling – What is the benefit of filling the position at that specific moment in the log rather than after the fact? Easy. The benefit is that you will see immediately what is causing problems (so you may end up adjusting your rules), but just as important, you will have the best opportunity of finding something to put in the position with less conflicts. Try it out under Schedule, Automatic Scheduler, Options tab.

Schedule Properties Max Fails/Skips – What happens to songs that just keep failing the rules? The Schedule Properties options for Max Fails/Skips controls how those songs are handled so they don’t get “stuck” at the top of the Schedule Order. Visit Schedule, Scheduler Order.

Mark new songs and distribute them in the Category – When you add songs, mark them (make sure you don’t have any marked songs in your data already). Use the Schedule Order, Arrange option to distribute those marked songs. Now the music that is new to the category will be distributed throughout rather than all placed together. Remember to unmark songs when you are done.

AutoFill – Are you adding the same information over and over? For instance, do you add gender codes on each song? In the classical format, do you add the musical period or pronunciations information for each work? AutoFill can put this static information in for you with a couple of clicks. Review the icon in Library Maintenance.

AutoLink – If you use AutoComplete and have a large database, AutoLink can narrow down what AutoComplete finds. Go to Library, Fields to set this up this Property.

Special History Reports – Sure you probably come here to run an ASCAP/BMI or CRTC report. Have you ever looked at the top eight reports on the list? These are reports that we created at MusicMaster to help you dig down into your data. Reports here include analysis of Artist/Titles, Categories and Attributes among others. Check out Analysis, Special History Reports.

Tools, Options – Okay, we could have pulled 10 things from this area alone! Here are two that you should start with: Library Editor Options and Schedule Editor Options. You’ll find all sorts of ways to set up library defaults and searches. On the Schedule Editor option, determine how searches, inserts and direct data entry options are done as well as the ability to refine how replacement searches are done.

We realize there are lots of places to explore in MusicMaster. These are just a few of the ways MusicMaster can work harder for you. Your Music Scheduling Consultant can discuss any of these areas with you further or help you set them up. Let us know how we can help.

By Jesus Rodriguez

In this blog we will touch upon one of my favorite new things about version 6.0 of MusicMaster. If this is the first time you have heard of MusicMaster 6.0 then we need to get you up to speed pronto! You can find out about all of the new enhancements we have made to the MusicMaster you know and love on our website.

One of these enhancements may seem like a small detail but boy it is one of my favorites. This new feature is already making my life easier as a support representative so I am sure that it will make your life easier as well. I am speaking about our new enhanced search engine. In the past you could only assign two items to search by accessing Library, Fields and selecting one as a Primary and another as a Secondary field that would be used in the search. (You can access your search bar using the View from your menu and selecting Search Bar.) The majority of users would use this for searching Artist and Title quickly.

Well get ready because MusicMaster 6.0 has made just about anything in your data searchable in a couple easy steps. First, using your menu bar go to Dataset, Library, and then select Fields. This will open your Database Field Editor similar to the one shown below.

In a couple steps as shown above you can select the field on the name column. To add it to your search bar simply select “Yes” in the Searching section in the right panel. This will put a check mark in the search column letting you know it is now active.

Personally this now saves me a tremendous amount of time when assisting clients that are looking for certain things like duplicate cart numbers, all the songs from an album, or just about anything they want to see right away rather than creating a query each time.

I hope this enhanced search bar has wowed you as much as it did me as we now live in a world of instant gratification. If you are not able to upgrade to MusicMaster 6.0 please contact your assigned representative so they can get you set up with that upgrade!

By Marianne Burkett

Many radio stations around the country celebrate the weekends by spicing up the music starting Friday afternoon. Whether it’s an A-to-Z weekend, a countdown show or maybe just a focus on some “type” of music. There are different ways to program those specials in MusicMaster.   Today I’m going to focus on programming a specific “type” or “style” of music using Session Filters. For example: How to schedule a #1 hit weekend. Once in place in the clocks, Session Filters are like a secret weapon for one click specialty programming. Here’s how:

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By Drew Bennett

MusicMaster PRO v6.0 includes a good list of user requested features. One of them is our new History Snapshot feature inside the Schedule Editor. It’s highlighted in the screenshot below.

A History Snapshot can be taken any time in a log’s history. For instance, you can take a snapshot after you schedule a log and again after it’s been edited. You can compare these snapshots to the current state of the log.

This is useful for several reasons! First, you can keep track of how things changed and moved since the log was auto-scheduled. That might be a great tool for Program Directors and managers who need to keep track of edits done to the day. Another great reason to take snapshots is so you can compare an edited log to what happened on the air. If you integrate with your automation system through our Nexus Server application, History Snapshot can show changes made by your automation system during reconcile.

To compare logs, open the History Snapshot screen and highlight the log to compare. Choose the Compare button to see how the current log compares to your History Snapshot.

The dropdown menu in the upper left corner of the History Snapshot Viewer allows you to compare all elements together, or you can choose to view unchanged elements or changed elements only.

You can automate the snapshot process, too! Visit Dataset, Schedule, Automatic Scheduler and choose the Options tab. Here, you can tell MusicMaster to automatically save a History Snapshot after scheduling.

The History Snapshot features makes it easy to keep track of edits made in a music log. It’s a great new feature in MusicMaster PRO v6.0 and the idea came straight to us from a user like you! Do you have a great idea to recommend to our team of software developers? Let us know! Call or e-mail your assigned Music Scheduling Consultant and happy scheduling!