MusicMaster Blog
Nombrando Su Canción Con Audio Publicado por Jesus Rodriguez en marzo 3rd, 2017
Por Marianne Burkett
Tanto si se trata de un artista al presentar una nueva canción o la introducción de una voz de artista, con frecuencia recibo llamadas de los clientes que les gustaría canción etiquetas conectar a algunas o todas las canciones, o simplemente agregar etiquetas a las canciones de categorías específicas en ciertos momentos de sus bases de datos. Esto se puede hacer de diversas maneras en MusicMaster. Que se enfocará esta dependerá de tus objetivos individuales.
- If you ALWAYS want the tag every time a title plays. Utilize “Virtual Shows”
- If you want tags at specific times, ie: Overnights. Use Special Sets.
Part One
If you always want the tag to play in front or behind the song, you will want to utilize the Virtual Show feature in MusicMaster. It’s not difficult.
Song Tags using the Virtual Show field:
The first thing you’ll need to do is find an available Keyword Multiple field in your Field Map. Go to Dataset/Library/Fields and scroll down and see if there’s an extra Keyword Multiple field and rename it. In the sample below, I’ve named the field Virtual Show.
If there is not an extra Title Keyword field in your database, contact your Music Scheduling Consultant and they can add the field for you.
Step 2: Open the category that you’ll be song tagging. Use your show hide fields icon to pull the MusicMaster “Song ID” field AND your new “Virtual Show” field into your view. Save the view.
You may also want to create a Category group including the Tags category and the Category with the songs to be tagged so both categories appear on the screen. This makes life a bit easier!
Double click on the Virtual Show field ONLY on the Music song card, if you want the tag to play first, enter the Song ID number as the first keyword and the Song ID number of the actual title 2nd like this:
Repeat that on any song you’d like to tag.
You’re almost done!
Make note of the number assigned to your new Virtual Show field in the field map. Notice in the first screen capture, my Virtual Show field is Field ID 138.
Now, go to Tools/Options/Additional Properties: Scroll to the bottom and enter the field number of your Virtual Show field in the highlighted box illustrated below.
You are done. If you tag the songs without a lot of production value, you could actually go from Jingle or Imaging, into tag, into song, so you wouldn’t even need to change the clocks. The tag does NOT show up in the scheduler. It only shows up in your exported log. That my friends, is the beauty of the Virtual Show. To make the Tag stop playing, just clear the numbers from the Virtual show field on each song card and you’re done. To make the Tag begin again, re-populate the Virtual Show field with the appropriate Song ID’s in the order you’d like them to play.
Part Two:
Tagging via the Special Set:
So you’re jockless in the overnight shift and need some song identification. This is a perfect place to utilize the Special Set element in your overnight clock(s) for song tags. It’s basically just like scheduling an overnight positioner before a category, but you can match fields like Artist to Artist or Title to Title. Insert the Special Set element in your clock where you’d like it to play: In this case, I want it to FRONT sell the Current:
This means it’s looking at the Artist that scheduled, than matching the Artist Name in the Music song card to the Artist name in the Tag category song card.
In a nutshell – the Special Set Tag is fixed in place in the clock, while the Virtual Show Tag invisibly floats with a song no matter what category it plays in, until you (A) clear the Virtual Show field in you song card, (B) physically delete the tag or (C) disable the Virtual show in Tools/Options/Additional properties.
Further information can be found via the User Guide, located by clicking Help in the software.
As always, if you have any questions or need assistance please contact your Music Scheduling Consultant!
I Hate Typing Lognotes! Publicado por Webmaster en febrero 27th, 2017
By Dave Tyler
If creating clocks with Lognotes in them is driving you crazy well I’m with you! I am a Radio Programmer not a Computer Programmer! The last thing I want to do is sit down and type over and over cryptic letters and symbols like Matthew Broderick in War Games (Yeah, I still think that was a cool movie despite the fact that my cell phone now has more power than the computers in that movie did!). It is tiring and although every automation system has their own unique codes, delimiters and requirements to make the magic happen, if you dare leave out a comma or carrot”^” then the whole thing doesn’t work and to make things worse you clocks are filled with them!
I have some good news for shortcut lovers everywhere. In MusicMaster Version 5.0 and higher the process has been made much easier.
When building a new clock just click on the clock icon tab at the bottom of your Info Bar then select the “Lognotes” button and viola all of your lognotes are right there.
Now adding them to your clocks is easy. Find the lognote you need to use and drag it into your clock where you want it.
Create a lognote once and never type it again! This is especially useful when you have a lot of clocks that share the same lognotes for stopsets, liners, IDs, etc.
Two other benefits: With the entire list displayed, you may find another lognote that better suits your needs and it should be pretty easy to spot something that doesn’t look correct because the alignment is off. For instance, you can see in the above example that all the ,,COM,DALIVE lines look the same from line to line. If a comma was missing, it wouldn’t look that neat.
Drag and Drop, Copy and Paste are some of the wonderful, ease of use features you can take advantage of within MusicMaster. Save time and get back to programming your great radio station and crushing the competition.
If you have any questions, contact your MusicMaster Scheduling Consultant and we’ll be happy to answer your questions.
Artist Keyword Maintenance Publicado por Webmaster en febrero 13th, 2017
By Paul Ziino
I know we’ve talked about it before. However, I regularly am asked “why are my artists playing so close to themselves, but not indicating any rule violation?” In 90% of these cases, the issue is that the songs either have no Artist Keywords or have the wrong Artist Keywords.
Artist Keywords are what MusicMaster uses to keep the same artist apart from themselves.
Let’s use these examples:
BEATLES
THE BEATLES
BEATLES, THE
As far as MusicMaster is concerned, those are three unique keywords and thus they wouldn’t be separated.
There is an easy way to clean these up. Go to Dataset/Library/Keywords, then select Artist Keywords in the dropdown. This is a list of all the Artist Keywords in the database. Any changes you make in this list immediately update throughout the database.
Below we see the keyword “Christina Aguilera.” If I wish to change it to “Aguilera, Christina,” just type right over the top of it.
When I do, MusicMaster alerts me that there is another keyword listed that matches and asks if I’d like to combine them. I will click Yes, and now any song that had the “Christina Aguilera” keyword on it will be updated to the “Aguilera, Christina” keyword.
A quick suggestion: For groups, enter the keyword as the group’s name, “LED ZEPPELIN.” For solo artists enter the keyword last, first, “PLANT, ROBERT.” Now when you sort your library by artist keyword, it will appear as desired. Also, I suggest not including the leading “THE”, so just “BEATLES” or “WHO” or “EAGLES” and so on.
Once you’ve cleaned up your keywords you’ll notice that artist separation rules work better. When artist separation is working, your whole station will sound better because you’ll have the desired rest between plays of the same artist.
Custom Time Periods for Schedule Analysis and Special History Reports Publicado por Webmaster en enero 30th, 2017
By Jesus Rodriguez
Recently clients have asked me if there was a way to make sure that they are always playing specific types of songs during certain parts of the day. As an example our friends to the North in Canada have to play a specific amount of Canadian content, some Latin countries face similar regulations, and other clients just want to make sure the hours aren’t leaning to urban, pop, rock, etc.
One great tool to help with this kind of stuff is the “Custom Time Period” which is found in Tools, Options, Database Options, then Custom Time Periods. Here you can set up to five different time periods that you can use for Schedule Analysis. These might also be used to calculate Special History reports.
Setting your Pass Order, Search Depths and Combining the Pass Publicado por Webmaster en enero 16th, 2017
By Marianne Burkett
Since coming on board with MusicMaster in 2005 after years of being in radio as a programmer in various places, I thought I knew a lot about scheduling music.
In the past, I’d always set my pass order from Currents first to my larger gold categories last and set the search depth to 30% or so. Now, I’ve changed my tune. I still schedule my currents first by the session. A’s schedule, than B’s, C’s etc. Then I combine the pass order for my larger categories, plus I now use 100% search depth in my larger categories.
How do you combine categories into the same pass? Go to Dataset/Schedule/Scheduling Properties, put your cursor on the category you want to combine, hold down the shift key, and drag your category up or down the list using the blue arrow. When you let go, you’ll see the pass order combine.
It will look like this:
Heavy, Light and Medium all schedule one pass at a time. Notice Pass four contains Recurrents, Gold1 while Pass five contains Gold2, Fill and Power 2010s. Depending on your clocks, these categories build your hour in the order they are listed in each clock and move from the top of the hour to the end, then moving to the next hour.
Why is this a good thing? If you have a core artist in your currents or recurrents, the likelihood of that core artist scheduling from a category at the end of the pass order is pretty bleak. When you combine the pass order, MusicMaster schedules hour to hour with those combined categories and the core artists in your Gold categories have a far better chance of scheduling.
I also changed my search depth to 100% in the gold categories in the databases I work with. Initially, this also made me nervous, but my minimum rest settings in the unbreakable folder never fail, so there is really nothing to be nervous about.
When I tried these methods on a few formats I work in, not only did I get far fewer unscheduled positions, I got a better log and needed to make fewer edits.
It takes less time to do the logs when you allow MusicMaster to do the heavy lifting for you.
If you have any questions, contact your Music Scheduling Consultant.
Happy Scheduling!
Airplay Affidavits – Show Your Value with the Help of MusicMaster Publicado por Webmaster en enero 2nd, 2017
By Jerry Butler
Most stations believe they have to run their promos, PSAs or underwriting through traffic to show value to the sponsors or charity. MusicMaster gives you the ability to run an airplay affidavit and show the value of your airtime.
Adding Category Info to the InfoBar Publicado por Webmaster en diciembre 19th, 2016
By Dave Tyler
I will be the first to admit that I am a bit of an “Info-Geek”! I like having the tools I need and the information I need at my fingertips when I need it. MusicMaster has a couple displays that I now take for granted but when I run across a database that is not using them it drives me crazy! Over in your Info Bar where your categories live there is a big blank area…dead space that could, in my Info-Geek mind be filled with something useful to me.
Well if you are using MusicMaster 5.0 or later then you already can fill that space and you have 3 options to choose from Song Count, Average Run Time & Slot Count.
These options are pretty straight forward. Song Count is literally how many songs are in that category. Average Run Time is just that, the average length of the songs within that particular category. Finally Slot Count denotes how many “Slots” are in that particular category. Slot Count can be important to you if you use a lot of packets. You will note in the above example in Category B there are 117 songs in the category (Song Count) but only 108 Slots (Slot Count) because 9 of those songs are packeted in some form or another. These option give you a quick reference to information that may be specifically important to you.
Ok so now I’ve shown something cool now let me show you how to make the magic happen in your Info Bar. Start by going to Tools/Options.
Then go to Library Editor Options and you will see the drop down box with your available options below the heading of “Show Extra Category Information”.
Choose which one of these will be of the most value to you, click Apply then OK and it is done! This additional information is just another great function of MusicMaster that puts the important information you need at your fingertips.
To find out about other time saving functions, if you have any questions or are on an earlier version and want to upgrade your version of MusicMaster to have access to these wonderful features contact your MusicMaster Music Scheduling Consultant.