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Coding Analysis posted on November 4th, 2019

By Paul Ziino

We’re all familiar with Turnover Analysis, which you can access by clicking the blue circling arrow icon in the Toolbar or the menu Dataset/Analysis/Turnover Analysis. It allows us to see predicted turnovers of the songs in our categories. There’s a cool little button in this part of the software that allows us to see the predicted turnovers of our coding called “View Coding Analysis.”

Click that icon and select the field you’d like analyzed. Let’s start with Gender.

This tells us we have 45 F-Female coded songs in the library and that we should expect to hear approximately 79 plays of Female coded songs per day, 558 per week, and generally expect about 15 minutes between plays. Its density in the library is 20%. As we look at the screen we see that the density between Male and Female, when totaled, is greater than 100%. Why? Because some songs in the library may have both codes listed representing a male/female duet.

Next, I ran analysis on my Sound field.

This tells us we don’t have many ballads, Dance/Disco, New Wave, or Urban songs in the library, and as such we shouldn’t be hearing very many of those songs. Again, the Density totals to be more than 100% because songs have more than one code assigned.

You can even analyze keyword fields. By default they will be sorted alphabetically, but you can click on any column header to sort by it. In the following, I’ve sorted Artist Keywords by the Count column.

Here we see in this database that John Mellencamp is our most-used artist keyword and that we can realistically expect his songs to appear every hour and a half. That’s followed closely by Phil Collins and Huey Lewis. Why does Van Halen have seven songs but we expect to hear that artist every 1:33 whereas we have eight songs by Huey Lewis and can expect to hear that artist every 1:46? It’s because the categories with Van Halen rotate faster than those containing Huey Lewis.

Using the Coding Turnovers can really help when it comes to building rules. For example, we can’t expect MusicMaster to be able to sustain a rule that says we have to be 50% Rock when only 30% of our library contains that code. We can’t expect a five hour artist keyword separation rule to work when we have artists that should be playing every 90 minutes.

When you look at all the information MusicMaster can provide, it will really help you set up your rules and rotations. For more help, contact your MusicMaster Scheduling Consultant.

What Version are YOU on? posted on October 21st, 2019

By Marianne Burkett

When you’ve been using MusicMaster for a while, you get used to the occasional service release update. If you’ve been sitting in the same exact version and service release of Musicmaster for more than a year, it’s highly likely you are missing out on some new features! Don’t miss out on the new things our development team has been working on! We always get our best ideas from our clients and strive to make the software better day in and day out.

WARNING: Before attempting an update, sure to check with your IT department to see if you are permitted to update the software. Remember, some companies mandate which version to run. In addition – you should discuss this with your VP of Programming, Operations Manager or Program Director as well – as it’s important all users in a station cluster are on the same version. You may not have the proper credentials to update so it’s imperative you check with Engineering before doing anything regarding any update.

The updates come every so often, there is no set schedule. There are several ways you can look for the update:

When the software is open, you can go to Help/Check for Update.

From the Start Menu, find MusicMaster in the list and expand that to see Check for Updates

Login to the Musicmaster support portal and download the version of your choice.

Once you’ve updated your data to the newer version (main number, not service release), remember you cannot “revert” back to an older version unless you have a backup in that older version! As long as the first digit doesn’t change though you are okay. For instance, if you are on version 6 and upgrade to version 7, you would need a backup of version 6 data to go back to version 6. If you were on version 7.0 and upgraded to 7.0.6, you could go back to 7.0 without a problem.

If you have any questions or concerns, please contact your Music Scheduling Consultant.

 

Airplay Contracts posted on October 7th, 2019

By Jesus Rodriguez

Have you ever had to manage a song or promo as a priority? Have you ever been told that a song or promo should only air for a certain contract period? For our U.S. clients and some in certain parts of the world, your mind may be going a hundred miles per hour after that comment. (Let me take this moment to thank you for making MusicMaster the most used music scheduling software in the world!) That said, worldwide, many countries do not have the same regulations as others.

Here’s how to use this for either a song, a promo, or anything else that falls under this topic. Go to your library, right click on any element, and select Airplay Contracts. You will get the following screen:

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If the item already has a contract, it will be listed here, or you can create one by selecting New. This will take you to the window where you can determine the Contract Period and its Daily Requirements, as well as the minimum plays. You also have the option to select days of the week where this contract should be applied.

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There are no additional steps to set this up. This was created for when minimum number of plays are needed for an item in your library. If there is a promo or song that must play 10 times daily for a month, then using this tool, you can specify the number of plays during the designated time. Now, keep in mind that these songs should play naturally and that this is not a method to force plays. There are also no rules or scheduling tools that work with Airplay contracts at this time, but you can run the Ready Check to see if there are any issues with the contract requirements.

Use the Info Bar next time you’re building clocks! posted on September 23rd, 2019

By Brian Wheeler

Building clocks is a task that most MusicMaster users visit infrequently. Many users will create a set of clocks and use them for long periods of time with little, if any, change. Other users may require more frequent changes but may not feel very efficient in this process. Are you maximizing the tools at your disposal?

There are many features in MusicMaster that make clock building and tweaking easier, but for now I’m going to focus on the Info Bar. The Info Bar is typically docked on the left side of your MusicMaster program if you have it visible at all. If you don’t have it visible, you can go to View, then select Info Bar to see all that the Info Bar has to offer.

The first thing you’ll likely notice is the list of your music and non-music categories from top to bottom. Not only can you click on these categories to get a quick view of each category’s contents, but you can also drag these categories into a clock that you are building. You can drag and drop an entire hour’s worth of music in a matter of seconds using the Info Bar.

You can also drag in lognotes. those commands for your playback system that you so carefully typed into your clocks are all retained under the clock tab at the bottom of the Info Bar. Click on the Clock tab, then select the ‘Lognotes’ header. There is your entire list of carefully created lognotes. You can drag and drop those into your clocks, too! No sense in having to type them all out again.

Also note in Version 7, the new Elements Tab in your InfoBar allows you to drag clock elements directly into place.

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Using these tools, plus other great tools like the ‘clone’ feature in the clocks (use the toolbar or context menu option) can make the arduous task of creating or modifying clocks into a breeze.

If you’d like more tips and tricks to minimize your clock building/rebuilding time, give your MusicMaster Scheduling Consultant a call and we’ll be happy to show you all kinds of time-saving features.

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MusicMaster 7.0.7 Now Available posted on September 10th, 2019

The latest service release for MusicMaster PRO is now available.  You’ll find 7.0.7 available in Help, Check for Updates.  Here are just a few of the new things you’ll have available:

Filter elements in your clocks based upon category type and element type, which means you can just hide elements that schedule songs from non-music categories.

Date, Length and Numeric fields will now show the minimum, average and maximum values when using Library Analysis.

Import from Network now allows you specify a list of categories that will be unscheduled and replaced during the import.

Classical users will certainly be among the biggest fans of the update in the Packet Editor.  You’ll now be able to show three user fields along with the current defaults.

You’ll now be able to limit your Category Moves Report to a certain date range.

Internationally, we’ve updated the CRTC Airplay Log Special History report and continue to update the Help system the French and Spanish languages.

Results Bar – Maximize Your Screen Real Estate posted on September 9th, 2019

By Jerry Butler

MusicMaster has always given you the ability to customize your views and show or hide items as you please. With version 7, we give you even more options to control your view and screen real estate.

Many programmers take advantage of using the results bar in the schedule editor. With the release of version 7, you can now adjust the size of the results bar. To show the results bar, click on the arrow on the right side of the schedule editor toolbar and select results bar.

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The default location of the results bar will be at the bottom of your schedule editor window, but you can move the results bar and many of the other windows in MusicMaster by clicking on the dotted line on the side of the element and dragging the window to the desired location. Many stations use a second screen for windows like this or the history graph (F6).

Once your results bar is displayed, you can right click on the bar and customize.

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This gives you the ability to select what panels will be displayed. New to version 7, you can drag the panel size slider to shrink or enlarge the panels.

Smaller:

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Bigger:

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Should you have any questions, please reach out to your Music Scheduling Consultant.

Happy Scheduling.

Cover Yourself: How to Protect Your Rotations Against Cover Songs posted on August 25th, 2019

By Brian Wheeler

Cover songs: Love ‘em or loathe them, they are a part of virtually every format. There’s even a Sirius/XM channel devoted completely to cover songs! But what do you do when you’ve got cover songs in your format and you need to prevent them from scheduling too close to each other, particularly when one is a current?

Lana Del Rey released “Doin’ Time”, a track originally recorded by Sublime. If you’re playing the Lana tune, there’s a fairly good chance you’ve got the original version in your gold category. Now that Lana will be marching up the charts with her version, how will you protect from these two versions of the same song?

The ideal protection to use is Title Keyword protection. Much like Artist Keyword protection, Title Keyword protection allows you to separate songs that are alike.

Apply the Title Keyword “Doin’ Time” to the title keyword field on each song, as shown:

Next, enforce the Title Keyword separation rules in your rule tree by dropping the Title Keyword Separation in your All Categories folder.

That should prevent the gold version from scheduling too closely to the new version. Don’t worry if you’re bypassing your current categories from the All Category rules. If your gold is scheduling after your currents, The Lana Del Rey version will plot in your schedule as you’d expect, and the gold version will have to steer clear of any current plays. Perfect!

As far as the separation time is concerned, that is up to you. Something to take into consideration is your average listener’s actual listening time. If your station is focused toward cume, a big separation time may not be necessary since your listeners tend to check in and out throughout the day. Adjust your separation times accordingly. This can be applied to the individual Title Keyword under Dataset, Library, Keywords. Make sure to select the Title Keywords in the dropdown menu and apply a separation time by typing in your desired separation.

You should be all set! Incidentally, this is also how you would best protect against the several versions of all the Christmas tunes you’ll be playing later this year. Is it too soon to be thinking about that? Probably. Let’s enjoy the summer first.

If you have any questions, reach out to your Music Scheduling Consultant.

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Legacy Buttons posted on August 12th, 2019

By Dave Tyler

Some people just like things the way they like them and don’t want them to ever change. I am one of them. I remember kicking and screaming my way into digital audio editing when our last reel-to-reel machine was on its last leg and then doing it again when we went from SAW to CoolEdit Pro! I am one of those who would still use Windows XP if I could!

MusicMaster 7.0 is our latest and by far greatest version of MusicMaster. It is powerful, robust and cutting edge. Simply put there is no other product in its class. Over the years MusicMaster users would upgrade and hit the ground running because the Icons and Buttons remained mostly the same. However with the release of 7.0 those icons got a lot slicker. After all when you move from an automobile to a rocket ship you expect a little more flash right? I do! But again as someone who shuns change, I loved my old icons. No worries my friend our Development Team feels your pain and if you are ready to move to 7 but love your old buttons, you can still have them! Just go to Tools/Options/Theme-Display Options and choose “Previous Style” (pic below). Click Apply then OK and voila’ you are back to being old school! Also be sure to check out the other various and cool themes there too. You can also read about our new themes in this blog article.

As always, contact your Music Scheduling Consultant if you have any questions.

Need Training? MusicMaster Can Help You Out posted on July 29th, 2019

By Jerry Butler

Talking with programmers daily and attending numerous MusicMaster Genius Days, I often find that programmers would like additional training, but don’t know that it is available. MusicMaster offers FREE online training with your MusicMaster subscription. If you are looking for MusicMaster 101 training for a new employee, new student team for your college station, or you want more advanced training for a seasoned vet, we can help you out. Our Music Scheduling Consultants can login and use your stations database for training, so everything looks familiar to your team. Contact your Music Scheduling Consultant today to schedule your MusicMaster training.

In addition, you can review hundreds of videos and blogs by clicking on the learn tab on our website. Check out blogs, short-form and long-form videos for the topics of your choice.

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And don’t forget the Help feature in your MusicMaster software. Click Help and search for the topics that you have questions about. A screenshot of a social media post Description automatically generated

Thank you again for using MusicMaster.

She’s Like A Rainbow! Automatically color your categories in MusicMaster Version 7 posted on July 15th, 2019

By Marianne Burkett

As someone with many years of MusicMaster under my belt, I’ve often found myself painstakingly going down a vast list of categories and one by one picking custom colors for each category. It got to the point where I would just begin the process at the far left or right of the color spectrum and go in either direction. I can always spot a database which has categories I’ve custom colored. What’s my trademark? All non-music is colored Gray.

In MusicMaster Pro Version 7 we have a new feature that will save you time coloring Categories. Go to Dataset/Library/Category Editor. You’ll see a brand-new button on the right called “Colors”.

Click on Colors and you’ll see Color Palette’s listed on the left. Select your preference and click OK.

As you can see here I did not apply this to the Non-Music categories as I prefer the use of vivid colors on music and something muted or grey in non-music to break things up. This helps me visually when editing logs or the clocks.

You may find a palette that works for you in “Colors” and this is a great optional feature for those of you in a pinch for time. It’s also great if you just want to change up the colors for something different. I’m more inclined to D-I-Y my colors as I have a degree in design from “Cracker Jack” himself. Whichever way you chose, you can make your categories as colorful as you’d like.

Any questions? Call your Music Scheduling Consultant or the Support line.